Start with real finished works across comic drama, short drama, film, music video and commercial video, then follow production, distribution and business decisions.
Start with the work
Start with 4 representative works
Start with a serial drama, a film, a commissioned ad and a merchant's short. Each card identifies original imagery or an editorial illustration.
Watch original film ↗Crossroad Media's Root Flow Flex ad cover showing a potted plant in a generated apartment scene.Poster source: Original cover from Crossroad Media; not footage of a physical product test · Poster source ↗ · Watch original film ↗
An unmanufactured plant-pot insert needed to become understandable. The maker delivered a story with a fictional apartment, character and see-through pot shot. The images explain a proposed design; they cannot prove how a physical product performs.
75-second ad; maker says the client reviewed and signed offDelivered work · maker-reported · Result source ↗
Watch season one on Hongguo ↗BitShovel illustration · not film footageBitShovel editorial illustration of a sword-bearing figure and fiery tiger; not Wanyao Tulu Zhuan footage or its official poster.Poster source: BitShovel AI editorial illustration, not film footage; the official season-one poster is linked in the case · Poster source ↗ · Watch season one on Hongguo ↗
Watch original film ↗Robert Gaudette's film thumbnail for A Face Only A Mother Could Love, with a paper-bag face and title.Poster source: Original-film thumbnail from Robert Gaudette AI / YouTube · Watch original film ↗
Watch original film ↗BitShovel typographic cover with an eyewear motif for the Pit Viper and DEPT case; not campaign footage.Poster source: BitShovel editorial artwork; not a frame from the ad · Poster source ↗ · Watch original film ↗
An eyewear brand needed a younger audience and had four weeks to launch. An official case film, an unchosen concept, the production method and media results are public; a standalone complete ad and financial ledger have not been verified.
10.3 million reached and $2.94 CPM (DEPT-reported)Campaign performance · agency-reportedResult source ↗
Watch original film ↗BitShovel illustration · not film footageEditorial character design and viewers; not original Honghuang art or drafts.Poster source: BitShovel AI illustration, not original work · Poster source ↗ · Watch original film ↗
This AI comic drama has a traceable audience result. Its clearest production account is that the lead character's final look took repeated human revision.
About 280 million additional views in 2025; No. 5 on the listDouyin-native comic drama · DataEye 2025 ranking · Result source ↗
Its reported commercial result comes with a specific production trail: choose a story people still discuss, establish rights and characters, then organize ten people to deliver fifty episodes.
The team said Douyin paid viewing covered costs within two weeksCommercial result · production-team interviewResult source ↗
The product became the story's reversal. Selection, rework and audience remixes shaped what the team could make next. The sales gains are maker claims without independent orders or a profit ledger.
Up 70%–75% recently (baseline unspecified)Online-store sales · maker statement on April 1 · Result source ↗
One day of Nov 3 merges — an originality gate, lighting defaults and a harsh jury — turned the Oct 31 ledger's pitfalls into the next film's starting state: write down the three most obvious versions and make none, name the light in every prompt, re-render only the shots named by the three largest defects. Two Nov 7 commits continue the line — finish times from the median of the tool's own 300 runs, and a judge kept resident by parking the sibling product's engines. BitShovel read the maker's public repository text; no tools run, no frames seen.
Substantive update ·
A 24-second drama sample: script, shot decisions and real errors
v0.11.0 lets benchmark breakdown reconstruct whole episodes: the measured shot table becomes a verbatim script, cross-episode-consistent characters and scenes, and per-shot prompts; a 12-episode run reports 0.34% character error (all intentional differences). Shipping one 13-shot episode over six revisions landed three crafts: a master room view, reference audio bound at generation for 2+ speaking shots, and reaction time at big-change cuts; the cut runs ~13 s longer and acceptance checks beats, not seconds. BitShovel read documents and the decision note at fixed tag v0.11.0; it reconstructed no drama and shipped no film.
Production evidence
Inspect inputs, mistakes and decisions
These maker materials explain production. They do not automatically establish an audience, orders or income.
Watch the girl, grandfather and redwood story, then inspect character inputs, a missed check and targeted rework. The portraits are references; the full soundtrack has not been reviewed here.
A 2:53 progress film, character inputs and rework recordsTraceable result · Production-process sample · Result source ↗
Watch original film ↗BitShovel illustration · not film footageBitShovel editorial illustration of a maker correcting an overly muscular character design and planning four shots; not Tradecraft footage or an original process screenshot.Poster source: BitShovel AI editorial illustration, not film footage; maker's film and production files are linked in the case · Poster source ↗ · Watch original film ↗
View original work ↗A frame from ZenStory's public 24-second drama sample showing a seated man in a dark jacket.Poster source: Frame at 5 seconds from the sample in ZenStory's official repository · View original work ↗
Watch original film ↗Original-film thumbnail for Migration, showing its yellow title and a planet against a starfield.Poster source: Original-film thumbnail from Jeremy Higgins / Vimeo; produced by Runway Studios · Watch original film ↗
View original work ↗BitShovel editorial diagram for The Final Plate: one of three storyboard directions leads to six shots and a final edit; not a film frame.Poster source: BitShovel editorial artwork; open the maker's files for original footage · Poster source ↗ · View original work ↗
Open the finished film, compare three real storyboard directions, then trace the falling-dish shot from anchor frames and video prompt through the edit.
One finished film, six shot clips and three storyboard directionsDocumented outcome · maker's projectResult source ↗
View original work ↗The maker's before and after comparison for InkToFilm's fifth Great Havoc shot: a weak hero silhouette in the first take and a clearer hero and staff in the selected cut.Poster source: Ying Wang / InkToFilm · Shot 05 comparison published in the original repository · Poster source ↗ · View original work ↗
Open the complete demo file in the original repository, then compare the two rows of Shot 05 frames: how one revision balances the gate impact with a readable full-body hero.
Watch original film ↗BitShovel illustration · not film footageEditorial fire, wood, amber and ice; not original footage or rejected work.Poster source: BitShovel AI illustration, not original work · Poster source ↗ · Watch original film ↗
Start with the film, then trace the pour still, the maker's account of the failed motion, the ice-drop redesign and the edit seam. The fix was a new shot design, not just a revised prompt for the same pour.
A 15-second film and published process accountDocumented outcome · independent spec ad · Result source ↗
Watch original film ↗BitShovel illustration · not film footageAI editorial illustration: three dog-eared performers on stage above a timeline with discarded and selected edits; not footage from the original MV or failed shots.Poster source: BitShovel AI editorial illustration; the maker's film and failed clips are linked in the case · Poster source ↗ · Watch original film ↗
Watch original film ↗Original Hat Trick film thumbnail showing the protagonist at a computer in his studio.Poster source: Original-film thumbnail from Geoff Nelson / Vimeo · Watch original film ↗
A maker with media-production experience spent about 72 hours and $390 in tools on this film. Watch the result, then trace script, generation, voice and manual editing. Rework in continuity, pronunciation and on-screen text is documented in his account; failed clips are not public.
An approximately ten-minute film and maker's production accountViewable result · independent short film · Result source ↗
Watch official trailer ↗BitShovel illustration · not film footageBitShovel editorial illustration: a mythic traveller moves from an old stone doorway towards a modern city across storyboards and an editing timeline; not a frame from Poqr Mher.Poster source: BitShovel AI editorial illustration, not original footage; the official trailer is in the case · Poster source ↗ · Watch official trailer ↗
Start with the trailer and festival listing, then follow the manager's account of visual anchors, shot review, rerouting failures and the limits of the release evidence.
An 80-minute feature listed by the Armenian Film Festival AustraliaDocumented outcome · trailer and festival programme · Result source ↗
Watch original film ↗BitShovel illustration · not film footageBitShovel illustration of a maker aligning shots for continuity; not CATACOMBES footage.Poster source: BitShovel AI illustration, not film footage; full film linked in the case · Poster source ↗ · Watch original film ↗
Start with the film and the director's published character and location material. See which shots demanded rework and which accidental angle survived. The reported inputs describe effort, not profit.
19 minutes 35 seconds; about 145,000 YouTube views observed on 24 Sep 2026Viewable result · complete maker-published film · Result source ↗
Watch original film ↗Official The Crossing video poster: a white South Ferry boat at sea beneath the yellow film title.Poster source: Original Think with Google video poster; Tiffany Rolfe / The Small Brief · Poster source ↗ · Watch original film ↗
Watch the ferry cross through time, then return to the albums, family visit and creative choices: how a local business can turn its own memory into a distinctive film.
A roughly 75-second film plus a 3:34 making-ofDocumented outcome · brand film and published process · Result source ↗
Field research · past, present and what to test next
From generating a clip to making work people watch
Models expand the shots people can make. A work still takes human choices about story, rights, production, revision and release. Market value adds another question: who pays, who receives the money and what the full costs are.
Wan2.2 released inference code and model weights, giving equipped developers an inspectable entry point. Open code does not establish its use in any particular film.
Generation, delivery and business are different outcomes. Check each against a named work.
Can a shot be made?
Tradecraft publishes a wrong character, revised description and four-shot opening prompt. Input and result can be compared; the full number of retries remains unknown.
Wanyao Tulu Zhuan has released seasons and visible audience feedback. Its makers discuss story choice, shots and early discarded material, but not shot-level inputs or costs.
The Tomorrow Is Monday team has discussed payment and cost recovery, without inspectable settlement records. Wanyao's platform heat cannot be converted into income either.
Over the next year, these are BitShovel's two questions to test against new evidence, not forecasts of income or release dates.
If consistency across shots improves
Serial rework may become cheaper. Compare usable-shot yield, total time per shot and character consistency across episodes under comparable scripts and quality thresholds, not just model demos.
If transactions can be tied to a project
Business paths become comparable only with contract or revenue-share terms, receipts, and production and promotion costs. Views, platform heat and reservations still measure attention.
Research assembled 26 September 2026. Model milestones link to original announcements; read case figures with each case's own checked date.
Explore five video formats
AI comic drama
Serial works, character and shot consistency, audiences and sustained production.
Watch season one on Hongguo ↗BitShovel illustration · not film footageBitShovel editorial illustration of a sword-bearing figure and fiery tiger; not Wanyao Tulu Zhuan footage or its official poster.Poster source: BitShovel AI editorial illustration, not film footage; the official season-one poster is linked in the case · Poster source ↗ · Watch season one on Hongguo ↗
Watch the 61-second Tradecraft film, then inspect its character mistake and the maker’s original four-shot prompt for its twelve-second opening. Try a short segment with material you may use, recording your input, candidates and final choice. This is a BitShovel exercise, not the maker’s tutorial.
Watch the resultNote one shot you want to trace and its role in the film.Film and chapter →
Inspect a decisionCompare the wrong character with the revised wording, then read how the four-shot prompt assigns people, locations and timing.
Make and record one attemptDefine your input and reference roles, keep at least two candidates, and record what you used, rejected and why. The maker’s complete references and retries are not public.Open the maker’s files ↗
From attention to a payer
Three economic relationships, grounded in actual projects
An audience is a reason to investigate. Economic value still depends on who pays, who receives the money and what a published figure actually measures.
Published case · Tomorrow Is Monday: taking a rights-cleared story to a paid 50-episode comic drama
Audiences pay for a series
Mingri Zhouyi turned a licensed story into a 50-episode platform series. The maker's interview connects story choice and team production to a reported paid-viewing result.
Paying viewers through a platform; the split between parties is undisclosed
Published
The maker told an interviewer that Douyin paid-viewing income covered production cost within two weeks
Missing
Platform settlement, cash received, promotion and full costs, net profit
Published case · Pit Viper × DEPT: from a brand problem to an AI ad campaign
A client commissions production
Pit Viper commissioned DEPT for a brand campaign. The team published the brief, creative choices and campaign results; a larger media budget is not an agency revenue figure.
The brand client; the production fee is undisclosed
Published
The ad was delivered and ran; the agency and Google published reach and other results
Missing
Agency fee and cash received, client sales lift, either party's profit
Published case · Snow Mountain Fox: how a duck became a story and a store visit
A merchant makes content; customers buy products
Chuanwa Sauce Duck put its own product into the Snow Mountain Fox story twist and published a film on its brand account. The maker reports store-sales changes, but the product, store and comparison periods differ or remain unspecified; the film's contribution cannot be isolated.
The project connects planning, writing, storyboards and output as another workflow to inspect; no case here is claimed to use it.
Start here: Trace how one script becomes shots and tasks, then read the repository's commercial terms; do not attribute this workflow to a BitShovel case maker.
Shared by
Buhaoshawn
Reuse and terms
Apache-2.0 with additional commercial terms; check the repository's terms for software redistribution.
Checked
Rights and script
Can the source be used, and what becomes a filmable scene?
Open pipeline and maker's sample film · Script, staged assets, storyboard, voice and render
The maker provides a playable AI Hot News sample and describes chapter adaptation, stage-aware character and scene assets, storyboards, voice and LTX/ComfyUI rendering. Its first/last-frame vision check may accept a flawed clip once the retry limit is reached. The repository does not publish per-shot failed clips, actual production bills or revenue.
Start here: Watch the repository's Demo 1 film, then read its five-stage process and retry limit. Treat it as an output and method sample, not evidence of per-shot success rates.
The pinned October 22 README separates reference-image review and a short warm-up from reviewing generated footage. Its migration record lists 61 completed clips and three queued while remote H3 and whole-film assembly remain unverified. Existing files and local mocks do not establish a complete film from the new backend. We have not run the project; the original Demo 1 retains its original-version context.
The repository's MIT licence covers software and associated documentation. Check rights for the sample film, adapted stories, input media and upstream models separately. BitShovel links to the repository and film without rehosting.
Checked
Capabilities and production tools
What did models and tools enable, and what did the makers decide?
The official repository lists models, examples and runtime requirements; compare version and compute needs before trying shots.
Start here: Check the chosen weights, memory needs and example inputs, then try one short shot of your own; the official demo does not establish which model an existing case used.
Shared by
Wan-Video / Alibaba
Reuse and terms
Repository marked Apache-2.0; inspect weight and use terms for each model.
Checked
Characters and look
How do characters and scenes remain recognizable across shots?
The October 22 promo format prioritizes Blender renders of the actual CAD, then word-timed cuts, design checks and mixing. An October 23 commit continues fixing per-take design checks and other issues; a command does not establish automatic acceptance. The maker links a SITKA promo. We inspected the fixed project, format and changes, without fully auditioning that film or closing The Oldest Tree’s audio follow-up.
Start here: Start with the fixed format contract, then compare sitka_demo’s promo.json, coverage.json and design.json. Separate inputs, plans, checks and human approvals. CAD GLBs and environment assets are not committed with the template; supply assets you may use. The example is not a complete one-click reproduction bundle.
Code follows the repository’s MIT license. Product CAD, film, voice cloning and model terms need separate checks. No installation, generation, author account use or publishing was performed here; no production bill, order or income evidence is supplied.
Checked
Open workflow and maker's failure log · Prompt, storyboard frame, failure diagnosis and revision
For City Dating Show EP01, the maker logs failed and passing prompt revisions for grids 14, 25, 27 and 33 and distinguishes InvalidNode, moderation failure and a no-URL timeout. This is a written account without every original frame or a playable final film. Its character threshold comes from a small local test, not a universal platform rule, and no audience or revenue evidence is supplied.
Start here: Read grid 14's three prompt versions and reported results, then the three error signals at the top. For your own failed frame, keep the input, error signal and output before deciding what to revise.
The repository's MIT licence covers code and associated documentation. Check rights for scripts, character references, generated frames and services separately. BitShovel links to the original notes without rehosting media.
Checked
Maker-shared film, breakdown and production files · Story, characters and sets, prompt, edit
The maker shares his 61-second Tradecraft film, a breakdown and six planning files. A celebrity head-shape analogy produced an overly muscular character, so he moved to direct facial description; the Seedance file gives the actual four-shot prompt for the opening 12 seconds. He reports 155 saved outputs, including 23 videos, and under $50 of Weavy credits. That excludes other subscriptions and labor, and no income is documented.
Start here: Watch the film and the wrongly generated character in the breakdown. Then open the character prompts and the four-shot Seedance opening file; compare descriptions, reference-image roles and shot limits. The 155 figure counts saved outputs, not all attempts or a success rate.
The maker invites free use and changes to the shared files but supplies no standard open-source license. Redistribution rights for the film, likenesses, personalized model style and original references are not stated. BitShovel links to the originals without rehosting.
Checked
Open production, whole-film rework and handoff method · Shot approval, whole-film review and recorded decisions
The maker shares the 2:53, 49-shot The Oldest Tree progress film, character inputs and repair scripts. The published case uses three portraits to explain adult redesign, the refs/identity gap, and three shots restarting from stills with two at animation. The v3 is explicitly linked to its YouTube ID; project reports retain failures and unchecked items, and full audio remains unreviewed.
Start here: Read the case's inputs and repair choices, then check the README's Mac, Python, ffmpeg and model-stack requirements. The starter .sf route differs from the full judge/director pipeline; --dry parses only and produces no film. BitShovel has not run this generation workflow.
Code is MIT; the older saga.mp4 is separately CC BY-NC-SA 4.0. Other media and upstream models need their own terms, rather than a blanket code-license assumption. The film remains linked on its creator's YouTube.
Checked
Maker's prompts and rework review · Prompt, review and pickup shot
The maker shares the original prompt for Rainy Night's second segment and a nine-second pickup prompt, recording an unexpectedly opened umbrella, soft ending focus and wardrobe drift. The review distinguishes reshooting, grading, trimming and accepting flaws. Playable failed and revised clips are absent, so this is not a controlled visual A/B test.
Start here: Compare the original and nine-second pickup prompts, then read the decision for each flaw. For your own shot, record the input, failure, acceptable limit and retry cost.
Repository documents use CC BY 4.0 with attribution. Generated footage remains subject to platform terms, and the repository supplies no comparison clips for BitShovel to rehost.
Checked
Maker's public video loops and prompt library · Shot design, prompt and generated result
The maker groups 25 camera moves, including pans, zooms, tracking and orbits. Each loop sits above the camera prompt used for that Seedance 2.0 result. It shows how distinct shot intentions are written, not a controlled one-word A/B test on the same input; per-shot failure rates are absent.
Start here: Choose a static, dolly or orbit goal, watch its loop and read the prompt. Try one move with a start image you may use, then log the actual result, reruns and cost.
The page offers copyable prompts and viewable loops; no film or media redistribution licence was found. BitShovel links to the page; check the generator's and start image's terms before use.
Checked
Earlier work, spatial references and camera prompt · Spatial and character references, camera choreography and generation
Published August 2 and updated August 3, the maker's account gives aerial views, the driver's seat, cabin props and camera path distinct references and timed instructions. He reports 22 references and a 30-second plan; the linked YouTube upload, NY Road Rage, played continuously muted to its roughly 28-second end in this review. Image approval and prompt revisions precede the reported single video generation; the final generation and its earlier preparation and rework have separate scopes.
Start here: Watch the path from aerial view to rear, front and cabin, then compare the driver's-seat reference with landmarks such as headlights and window in the prompt. For references you may use, specify who sits where and where the camera passes. The maker plans with Claude Code, generates with Seedance 2.5 in Dreamina and upscales with Topaz inside Higgsfield; these are this project's conditions, not settings that guarantee identity or camera accuracy.
BitShovel reviewed muted playback, original images and text, without listening to audio, downloading the 143 MB pack or recreating the work. Sampled viewing is not full picture-and-sound acceptance. The page offers images, prompts and a pack, but no media redistribution licence was found; check character, brand and platform terms before use. BitShovel links to the original page.
Checked
Maker's film, rework account and credit figures · Product reference, video generation, failed-shot cutoff and edit
The maker shares an uncommissioned Corona spec ad, boards and keeper/failed prompts. He reports just over 900 Higgsfield credits in all; six failed attempts at a twirl-to-overhead transition consumed 270 before he stopped. The credit figures are his account of billing history, with no displayed bill; they do not establish project profit or client income.
Start here: Watch the film and read the failed-transition account, then inspect the two prompts marked FAILED. Set a retry limit for your own experiment and log stills, video, upscale and discarded runs separately.
The maker offers a downloadable production pack but no redistribution licence for the film or media was found. The brand neither commissioned nor took part. BitShovel links to the source.
Checked
Maker's documented process · Storyboard to generation and edit
Public script, continuity plan, storyboards, prompts, checks, edit sheet and a 24-second sample let you trace one shot.
Start here: Pick one shot in the public EP001 example and follow it through script, visual plan, storyboard and video prompt; check identity and duration before generation.
The public project covers script, assets, storyboards, video and voice; external model calls may add cost.
Start here: Use one scene to check whether character assets, storyboard and video tasks preserve the same decisions before estimating external model calls.
Shared by
gzxx-2025
Reuse and terms
Repository MIT; external APIs and generated media have separate terms.
Checked
Generation and rework
Which errors occurred, and how were they found and corrected?
Continue editable code animation by changing words, figures and timing before export. Compare revision routes with HyperFrames and Manus; this is not native footage generation or a fixed Opus model.
Start here: Eligible Team/Enterprise users can try a short explainer from their own report, check figures and one revision, then export. Enterprise must enable access; other plans are not included.
The maker shares a five-beat structure, full prompt, discarded pour still, replacement ice-drop still and final film. This was an uncommissioned brand spec ad; the stills show a changed shot design, not a same-frame prompt A/B test.
Start here: Compare the pour and ice stills, then watch beat four of the final film. If a hand action repeatedly fails, reconsider the shot design before more rerenders.
The original site offers a process article and resource pack but no media republication terms were found. We link to the source and film without claiming a brand order or income.
Checked
Maker's process and frame comparison · Generation, review and targeted revision
Five first-take and five selected-cut frames from the same climax shot, plus the reason for revision, prompt, final clip file and frame review. The full first take is not public.
Start here: Compare the two sets of original Shot 05 frames and the maker's reason for revision before viewing the selected cut; stills only establish what is visible in those frames.
Repository MIT covers software and associated documentation; its README-embedded comparison image is shown with attribution. Other generated videos have no separate redistribution statement.
Checked
Official downloadable workflow and guide · Shot input and generation
The maker's short demo strikes out a false start in a recording's transcript and shows red cuts and blue zoom regions on the same timeline. Current code resolves each word's unique ID to its source-audio times and adds a trim; in-app chat and the editing MCP share the executor, with undo in the open project. Automatic zooms instead follow recorded clicks without a model call. The making-of dates to September 27, and v2.0.0 was released October 3. The October 13 source changes add inserting other video assets, duplicating clips, replanning zooms from recorded clicks and per-clip cropping. October 14 code fixes the MCP GIF-export failure caused by passing a video-quality parameter. October 16 source fixes cover cursor and clock progression while holding the last frame, whole-segment copying and Intel Mac texture synchronization; replay the actual project to check the result. Version 2.1.0 was released October 17, followed by formal v2.1.1 early October 18 Beijing time. Its source fixes clipped corners on tilted zoom cards under a filled format, along with blur-mask mapping and motion blur in that scene. The guide retains whole-turn rewind and project-targeted MCP operations. Replay, inspect masking and export to verify the fixes; BitShovel has not installed the new release.
Start here: Watch the homepage's Describe the edit demo and AI editing guide, then use a short recording you may use to check a cut, playback and undo. Windows, macOS 13+ and Linux are supported, with system recording permissions; first transcription downloads approximately 264 MB for Whisper and under 1 MB for voice detection. GPU-assisted English or French word timing separately downloads about 110 MB or 350 MB. Built-in chat needs your model key. For an external agent using the in-app HTTP MCP server, separately enable its initially disabled MCP edits switch. Its 2.1.0 guide allows naming another project; whole-turn Rewind restores project, conversation and agent state together. Confirm the target project before editing. Ordinary recording, manual editing and export need no model key. The source reviewed October 15 routes transcription through ffmpeg and reports a missing dependency clearly. On macOS 15.2+, naming a window through the in-app recording MCP separately requires Screen Recording permission. If system-audio setup fails, recording can continue with a warning but without system sound; a completed take does not establish complete audio. When using the latest source tools, read the project back first: neighbouring clips from the same asset merge when their source ranges meet and crops match. Set range and crop together when changing framing; the new fix prevents a range-first merge from losing the crop. Use trim ranges for pauses; asking to split a clip does not create two independent objects in this model. The latest guide also clarifies dropping: video on the clip row appends to the end; audio enters through the timeline’s Add audio menu. There is no split-and-insert dialog, and the agent’s insert action is a separate entry. For MCP GIF export, use GIF size and frame-rate settings; video quality belongs to MP4. A later development fix read October 20, 1e917109, lets a custom zoom scale avoid a conflict with the prefilled depth; omitting both still defaults to depth 3. Formal release remains 2.1.2 and we did not install it. The later development commit read October 20 downloads transcription and alignment models through Electron’s network stack to honor system proxies. This is the 3c9bd5d source fix; formal release remains 2.1.2 and we have not installed it. The development guide read October 19 adds a stdio demo path: an agent starts the app with local-user rights, without the MCP edits switch. New tools load in a new agent session, and word cuts still need transcription. When the homepage badge cannot copy its prompt, it now opens the relevant guide section for manual selection. These are current-source/documentation conditions; the formal release is now 2.1.2, published October 19. Its change includes stdio MCP startup in anonymous usage counts, not evidence of improved edits; we have not installed it. The d8bf2d8 development guide checked October 22 fixes Windows Store discovery: before an execution alias ships, use app/Openscreen.exe under its Get-AppxPackage install location and re-register the versioned path after updates; avoid a PowerShell stdio wrapper. If tools are absent just after MCP setup, retain the task and load them in a new agent session. This is documentation; formal release remains 2.1.2, without our installation test. The 2159f42 development fix checked October 25 records voiceover against the uncut timeline and applies cut mapping at edited playback. A short project with one cut can check recording, replay and undo separately. Formal release remains 2.1.2; this was source review without a recording trial. Replay and undo once to check the cuts, framing and zooms.
Etienne Lescot / OpenScreen community continuation
Reuse and terms
The software is MIT; model usage is charged through the provider or agent account actually used. Free software does not establish free AI usage. The FAQ describes daily anonymous usage counts, disabled from the tray or with DO_NOT_TRACK=1. The formal 2.1.2 source adds openscreen mcp under the same count and opt-outs. The window and MCP share a state file, counting a UTC day once under whichever pings first. The payload includes version, OS, architecture, install channel, app/mcp surface and first-this-week/month flags, not recording content. Other CLI commands do not send this usage ping. Model downloads and update checks also use the network; we have not tested that behavior. The author's demonstration does not prove client delivery or revenue. BitShovel watched the 7.6-second original demo muted and inspected text and source code, without installing, connecting a model, recording, exporting a recreation or auditioning audio. We link to the original page without rehosting its media.
Checked
Open desktop-editor entry · Early release · Media, agent/manual edits, checkpoints, rendered review
An independent desktop app begun from a HyperFrames snapshot, with local project files, a manual timeline and per-prompt rollback checkpoints. Agents call the chosen model provider with prompts, transcripts and sampled frames, and asset research uses the web. Local projects do not imply fully offline or zero-cost work. Render QA is the maker's feature description, not our replication.
Start here: Read the v0.5.4 requirements: Apple Silicon Mac or Windows x64, Chrome, FFmpeg and your own model-provider connection. Builds retain OS signing limitations. A suggested trial uses your own media for one edit and rollback; BitShovel has not installed or tested the editor.
Apache-2.0 code; external assets keep their own licenses and credits. Model charges depend on the provider; free software does not establish zero production cost.
The maker shares a 14-shot storyboard, per-shot prompts and revised keyframes, with reported character drift, unwanted text and iteration costs. The stated total is about $120, while rounded line items add to about $125. The repository has no complete film or failed clips to verify motion or market results.
Start here: Inspect prompts and revised keyframes for shots 4, 6, 10 and 12 before reading the budget account; set a limit for continuity fixes and retries.
The maker invites reuse of the storyboard, prompts and pipeline, but provides no standard license. The source novel remains copyrighted and media republication rights are unclear, so we link to the repository only.